Liz Hubbard Art
VOODOO 30 x 40 (x2) 60 x 80 for both
VOODOO 30 x 40 (x2) 60 x 80 for both
Couldn't load pickup availability
Share
This diptych presents two standing figures in stark black and white, facing the viewer with a formal, almost ceremonial stillness. The figures are nearly symmetrical in scale and posture, yet subtly distinct in detail, creating a visual dialogue between similarity and difference. Set against a dark, textured ground, the pale figures emerge with graphic clarity, their presence amplified by the high contrast. Each figure wears an ornate, robe-like garment adorned with vertical stripes and scattered dot patterns, evoking costumes that feel theatrical, ritualistic, and timeless. The garments fall heavily around the bodies, concealing individual form and reinforcing a sense of role or archetype rather than personal identity. Hands are positioned deliberately at the center of each figure, clasped or folded, suggesting composure, restraint, and quiet authority.
The faces are mask-like and simplified, marked by minimal features that resist naturalistic expression. One figure wears angular glasses and a tall, pointed headpiece, lending an air of intellect, guardianship, or watchfulness. Above this head floats a sweeping, crescent-like arc, painted with energetic strokes that suggest motion, orbit, or protection. The arc feels celestial, as though the figure is crowned by a moving force rather than a fixed object. The second figure is distinguished by a radiant, sunburst-like halo framing the head, its sharp, repetitive rays creating a powerful contrast against the dark background. A smaller orb hovers above, echoing the circular motifs seen throughout the composition and reinforcing themes of cycles, balance, and cosmic order. The expression here feels slightly softer, though still distant, as if embodying a different aspect of the same symbolic lineage.
The diptych format itself deepens the meaning of the work. Placed side by side, the figures appear to mirror, confront, or accompany one another, suggesting duality—night and day, intellect and intuition, guardian and guide, or parallel identities shaped by shared structure but distinct essence. The narrow division between the panels acts as both separation and connection, emphasizing that the figures belong to the same world while occupying their own domains. The abstract environment allows the imagery to feel symbolic and mythic rather than narrative or literal. Overall, the diptych conveys a powerful sense of ritual, identity, and cosmic presence. The figures feel like sentinels or archetypes, standing outside of time, embodying balance, protection, and transformation. Through repetition, contrast, and stark visual language, the painting invites contemplation of duality, shared humanity, and the roles we inhabit—both chosen and inherited
